Yaari Bina Hai Besuri (London Dreams: Roop Kumar Rathod, Milind)

Yaari Bina is probably the best song of London Dreams. Roop Kumar Rathod and Milind make a hit right from the start of the song when they render Duniya bhaad mein jaaye. The song is slow, fast, medium, classical, Punjabi style, and so much more. In fact Roop Kumar Rathod reminds me of Machis in the song. I would say that the song is a complete classic and should last even after the other songs of the movie are forgotten. Whatever the future of the song is, Roop Kumar Rathod, Milind, Composers Shankar, Ehsaan and Loy, and Prasoon Joshi definitely deserve an applause for the song. Here are the lyrics of the song.

Lyrics:

Yeh duniya Jab leke Tarazu
Tera tol ke bhav bataye

Yaar kahe Aa seene se lag ja
Duniya Bhad mein Jaaye

---

Do kahan hain, Ek hi hai
Yaari mein do hote hi nahi
Usko kaato Dard isko
Yaari mein do hote hi nahi
O Kache gud si yaari, Yaari
O meethe paan se pyaari

To aaja jash mana le, yaara ve
Yaar ko laga le
Dil ke andhero ko woh tatole
Man ko bilo de, Matka le khole

Yaara Yari bina hai besuri meri zindagi
Yaara Yari bina hai besuri hai besuri
besuri zindagi

Yari bina hai besuri hai besuri
besuri zindagi

(aalap)

Yaara Yari bina hai besuri hai besuri
besuri zindagi
Yari bina hai besuri hai besuri
besuri zindagi

Meri Hichkiyon mein hai woh shamil
Mere Khawabon mein
Meri mausamo mein titliyon ko chhode woh

O Mere aasunon ko Motiyon si shan bakhshe woh
Meri bansuri mein aake saaasein jode woh

O Kache gud si yaari Yaari
O meethe paan se pyaari

To aaja jash mana le yaara ve
Yaar botle laga le
Dil ke andhero ko woh tatole
Man ko bilo de Matka le khole

Yaara Yari bina hai besuri meri zindagi
Yaara Yari bina hai besuri hai besuri
besuri zindagi

Yari bina hai besuri hai besuri
besuri zindagi..

Music Review: London Dreams (Shankar-Ehsaan-Loy)

Shankar-Ehsaan-Loy have always been my favorites. But they disappointed me badly with Wake Up Sid when I found that the only song I liked in the album was composed by Amit Trivedi, coming in as guest composer. But with London Dreams, they are back. At least from the level they had gone to with Wake Up Sid.

The most troubling part of the album, though, is that after Tum Mile, even London Dreams doesn't have a female voice in the eight songs. Pritam could do this, but Shankar-Ehsaan-Loy going for only male voices may be a cause of concern. Here is the song by song review.

Barso Yaaron: The album starts with Barso Yaaron that is sung by Vishal Dadlani and Roop Kumar Rathod. Well, No doubt the combination is a strange one, and the fact that Roop Kumar Rathod's voice is shown as part of a Rock Concert is even more interesting. But then, Rathod is one person who does everything to perfection and he is great here too. A good song, where you get to hear the fastest-ever Hanuman Chalisa too. Something that reminds you the composer was the guy behind (and in front of) Breathless.

Man ko Ati Bhavey: The second song of the album, Man ko ati bhavey saiyyan is an interesting one again. The song, sung by Shankar Manadevan, is majorly in rich Hindi words and is supported by eunuch like voices. The song has some interesting lyrics by Prasoon Joshi which are almost perfectly in Hindi except certain places like 'Utsav manata hai saara chaman' where he doesn't get a Hindi word and is tempted to use an Urdu one. In short, lyrics, Shankar, and supporting voices make the fast paced song interesting.

Tapkey Masti: The third song of the album is Tapkey Masti sung by newcomer Feroz Khan. The song is high pitched and has a slight Punjabi flavor that reminds me of 'Mast Kalandar' of Heyy Babyy. Still, the song sounds ok and the new guy Feroz Khan passes the test.

Khanabadosh: The fourth song of the album, Khanabadosh, that can be counted as the title song too, is an okay one. The song has some good lyrics and the music is catchy sort, but one cannot expect the song to long last. The song has many supporting singers, the cover credits only one, Mohan.

Khwaab Jo: The fifth song finally gives one some break and one gets to hear a singing-and-not-running Shankar, along with Rahat Fateh Ali Khan. The song has some fine music and wonderful lyrics with two genius guys singing together and they make up for everything that is missing in the song. Listen to Rahat and Shankar singing together and no big deal if you get stuck here only.

Yaari Bina: If there's one song in the album I would recommend with Khwaab jo, probably better than Khwaab jo, it's here. Roop Kumar Rathod and Milind make a hit right from the start of the song when they render Duniya bhaad mein jaaye. The song is slow, fast, medium, classical, Punjabi style, and so much more. Oh, Roop Kumar Rathod reminds me of Machis this time. A complete classic. Go for it.

Jashn hai Jeet Ka: Shankar-Ehsaan-Loy bring in another lesser known guy for a beautiful song. Not a huge hit, but the song is definitely one I'd recommend if you're a sucker for a bit deep songs. First thing, I love the lyrics of the song. It reminds me of Shakespearean classics as the singer claims himself to be the King of the world, says he doesn't believe his old friends, and is celebrating his victory. Well done Mr Joshi.

Shola Shola: Eighth song of the album starts with a well known voice of Zubeen Garg, the Ya Ali guy in case you don't remember. The song is an anybody-can-make-it type just fine composition that is good for running in the background. Zubeen has sung the song in his typical way and there is hardly anything new about that. Still, the song has potential of running in a relay race and if other songs go fine, the song won't disappoint and will go with the other songs.

Overall, London Dreams is an average album but Shankar-Ehsaan-Loy have shown their work in some places like Khwaab jo and Yaari Bina. The album has some masti type songs too and has its share of rock also.

I'd suggest listening to Khwaab Jo, Yaari Bina, Barson Yaaron. If you're one for masti, add Man ko ati bhaave, and if you want deeper things, add Jashn hai jeet ka to your list. Find your picks and album will be good for you.

Dil Ibadat (lyrics)

Ok. I cannot not write the lyrics of this beautiful song. Pritam and KK, superb work. And lyricists, Sayeed Quadri and Kumaar. Good job.

Lyrics:

Dil Ibadat Kar Raha Hai
Dhadkane Meri Sun,
Tujhko Main Kar Loon Hasil Lagi Hai Yahi Dhun.
Zindgi Ki Shakh Se Loon Kuchh Hasin Pal main Chun
Tujhko Main Kar Loo Hasil Lagi Hai Yahi Dhun

Dil Ibadat Kar Raha Hai
Dhadkane Meri Sun
Tujhko Main Kar Loon Hasil Lagi Hai Yahi Dhun
Zindgi Ki Shakh Se Loon Kuchh Hasin Pal main Chun
Tujhko Main Kar Loo Hasil Lagi Hai Yahi Dhun

Jo Bhi Jitne Pal Jiyoon
Unhe Tere Sang Jiyoon
Jo Bhi Kal Ho Ab Mera Use Tere Sang Jiyoon
Jo Bhi Saanse Main Bharoon Unhe Tere Sang Bharoon
Chahe Jo Ho Raasta Use Tere Sang Chaloon

Dil Ibadat Kar Raha Hai
Dhadkane Meri Sun
Tujhko Main Kar Loon Hasil Lagi Hai Yahi Dhun

Mujhko De Tu Mit Jaane
Ab Khudse Dil Mil Jaane
Kyun Hai Yeh Itna Fasla..
Lamhe Ye Phir Naa Aane
Inko Tu Naa de Jaane
Tu Mujh Pe Khudko De Luta.....
Tujhe Tujhse Tod Loon Kahin Khudse Jod Loon
Mere Jism O Jaan Mein Aa Teri Khushboo Odh Loon

Jo Bhi Saanse Main Bharoon Unhe Tere Sang Bharoon
Chahe Jo Ho Raasta Use Tere Sang Chaloon

Dil Ibadat Kar Raha Hai
Dhadkane Meri Sun
Tujhko Main Kar Loon Hasil Lagi Hai Yahi Dhun

Bahon Main De Bas Jaane
Seene Main De Chhup Jaane
Tujh Bin Main Jaaun to Kahaan
Tujhse Hain Mujhe Ko Paane Yaado Ke Wo Nazrane
Ek Jinpe Haq Ho Bas Mera

Teri Yaado Main Rahoon
Tere Khwabo Main Jagoon
Mujhe Doondhe Jab Koi
Teri Aankho Main Miloon

Jo Bhi Saanse Main Bharoon
Unhe Tere Sang Bharoon
Chahe Jo ho Raasta Use Tere Sang Chaloon

Dil Ibadat Kar Raha Hai
Dhadkane Meri Sun
Tujhko Main Kar Loon Hasil Lagi Hai Yahi Dhun...

Music Review: Tum Mile (Pritam)

Tracks: 9
Songs: 5
Versions: 8
Instrumentals: 1
Composer: Pritam
Singers: Javed Ali, KK, Mohit Chauhan, Neeraj Shridhar, Shafqat Amanat Ali Khan
Best ones: Dil Ibadat, Tu hi Haqeeqat, Tum Mile Love Reprise
Verdict: Good

Tum Mile: One song. Three versions. Probably Pritam could not decide how will the song look best and put three versions of the song in the album. The album opens with this song in Neeraj Shridhar's voice. With Neeraj the song sounds like a typcial song of his and becomes a foot-tapping number that will rule the charts for a few months and then forgot.

But then, the same song is given to Javed Ali and you get 'Love Reprise'. This time, the song almost completely changes even though you know it's the same. This version is lighter, definitely better and relatively long lasting.

And then you have Shafqat Amanat Ali Khan singing a rock version for the song. For once you may not find much in this version after listening to the first two. But separated from the other two, the rock version also scores. My pick, though, is Javed Ali's Love Reprise version.

Dil Ibadat: A lovable track sung by KK. The song also has a Rock Version that is again sung by him. The compostion is good and lyrics, though usual, at some points are superb. Overall the song is a good one, of must listen category. Go for it, select which version you like better. Normal one for me.

Is Jahan mein: Mohit Chauhan is not made for 'fast' songs. Not that he can't sing them well or something, but he's so good with slow-soft-romantic numbers (and even not so romantic ones, remember Khoon Chala) that giving him a fast one is not generally a very good use of the depth in his voice. Iss Jahan mein has something like that only. Is jahan mein is a good song but if you start listening after seeing Mohit Chauhan's name, you may be disappointed. Okay song.

Tu Hi Haqeeqat: Khwaab tu, dariya tu hi, pyaas tu, tu hi dil ki beqarari, tu sukoon, tu sukoon... With good lyrics like these and slow, beautiful music, the USP of tu hi haqeeqat is Javed Ali. Javed Ali has sung the song in such a soulful voice that makes it worth listening. Tu Humsafar, Tu humkadam, Tu humnava mera.. Listen to this one just for Javed Ali.

O Meri Jaan: Yet another song by KK. This one is a sad number, though not a typical sad song we're familiar with, but a rock kind of song that one is expected to like in a long time, and then, the song stays. A good song, but only for those who have the patience as you will probably not like the song instantly. Try it anyway.

Overall, tum mile is a good album and in times when A R Rahman's Blue has not been able to deliver much, Pritam gives some songs somewhat beyond expectation. Credit to Pritam, but more credit to KK and Javed Ali.

Fiqrana (Blue: Vijay Prakash, Shreya Ghoshal)

Vijay Prakash is a name that is taken with respect now, and everytime A R Rahman gets a song for this guy, we get a superb number, whatever type it is. Be it yuvvraaj's Manmohini, or Slumdog's Jai Ho, or Swades's pal pal hai bhari, he does a good job for every song. And this time Vijay Prakash is in a different mode. Fiqrana is a song full of 'Josh', just the way RDB's Pathshala rebel was, or Dhakka-laga-buka/jana-gana-mana of yuva.

And he does it again. Listen to the song. It's one of the few really good numbers of Blue.

Lyrics:

Fiqrana ho ke ham jiye
Khamakhaa ham jiye na kyun
Beparwaah ho ke ham jiye
Khamakhaa ham jiye naa kyun

Jeete hain ad-ad-ad ke ham
Phirte hain fur-fur-fur se ham
Milte hain rom-rom-rom se ham
Chalte hain dam-dam-dam se ham

Mahakte gulzaaro mein ham
Chamakte sitaaron mein ham
Dahakte angaaron mein ham
Lahakte hawaaon mein ham
Ye Fiqrana-4

Hai qatil apni rangat
Hai shatir apni sangat
Thode se ham hain diwaane
Yahi hai apni daulat
main poori kar loon hasrat
main man ki saari mannat
Mujhe koi rok nahin, tok nahin
Main man maana hoon
Junoon, sukoon, main sharara
main maza saza mein mara
naye khawaab hain, main hoon ishq ka maara

Hone de ye mulaaqaatein
thode din thodi si raatein
sochenge phir ye ham
chahenge ya na chahenge ham


Hai qatil apni rangat
Hai shatir apni sangat
Thode se ham hain diwaane
Yahi hai apni daulat
To kar lein sab se khilaafat
Tu ban ja meri mohabbat
Jahaan se lad jaaoonga, mar jaaoonga, main mastaana

shuru karoon ishq badhana
Tu jo kahe wo lage rab ko paana
Chal chalein wo chalein apna hai zamana

Honge sang hamaare
aasmaan ke ye taare
milenge tab tum ham
haan kar denge, na na karenge ham...

Yaar mila tha saiyyan (Blue: Udit Narayan, Madhushree)

So the long-awaited music of Blue is out and though we can see Kylie Minogue singing and dancing, Farhan Akhtar hasn't sung for the album and the music of Rahman is not as good as I had expected to say the least.

Still, there are some good things in the album, one of them a beautiful, romantic and a quite dramatic song by Udit Narayan, Madhushree, and Ujjayinee Roy, Yaar Mila tha Saiyyan. A R Rahman hasn't used Udit a lot, but whenever he does it, the result is good. The song has a village background and you can hear a Lagaan in the song until you see the video. Madhushree is good as always and the song is worth listening to.

Lyrics:

yaar mila tha saiyyan
ik din yaar mila tha saiyyan
aankhon mein sapne, dil mein leke
pyaar mila tha saiyyan
kya main karti saiyyan baiyyan
kya main karti saiyyan
teri yaad mein kitni sadiyaan aah bharti saiyyan

are kuch to sharam kar leti ab kya kahegi duniya
tu uske sang ho lee us peepal ki chhaiyyan

socha nikal loon, par pallu, wo kheencha zor se,
bola sandesa, wo laya, hai teri or se

haye dil ghayal, zakhmi jiya,
kaise jiye ab tera piya,
maar diya dulhaniya tune maar diya dulhaniya
jeete jee apne saiyyan ko maar diya dulhaniya

yaar mila tha saiyyan
ik din yaar mila tha saiyyan

hai kusoor kya mera bata na yoon sata main-
teri raah takti thi

raah takti thi to khafa
ho gayi thi tu ya bewafa
ki panghat pe, ghoonghat ke bina
ja baithi kaise tu, wo bhi mere bina
usi panghat pe jahan jhat se
pehli baar thaami thi maine teri kalayee
harjaayee
jahan dhoop se hum bache the jahan nache the
apne kadam
aur besharam
wo kalaai tu thama ke aayi hathon mein na jaane

kis khote ke, kis pote ke,
mere hote se, par sote se,

par tune hi to use bheja na
ki mera pyaar piya ko de ja na

yaar bulaya saiyyan maine yaar bulaya saiyyan
bhooli saari duniya jab ek baar bulaya saiyyan

to aa gale dulhaniya lag ja aa gale dulhaniya
dekh ke apni yaari duniya laakh jale dulhaniya

yaar bulaya saiyyan--lag ja aa gale dulhaniya
bhooli saari duniya--duniya laakh jale dulhaniya

are teri wafa ke kisse ab ga rahi hai duniya
har maa kahe bete se, la aisi dulhaniya
haaye dil ghayal, zakhmi jiya
jiye bas jiye ab, mera piya..

Farhan didn't sing for Rahman?

Finally the much awaited music of Akshay Kumar, Sanjay Dutt, Zayed Khan starrer Blue is set to release. The movie came into limelight when A R Rahman decided to make Farhan sing for the movie. Then there was news that Farhan had a sore throat and that made Rahman wait. And now the music is going to release in the second week of September but it's not clear if Farhan is going to sing for the movie.

If we listen to Wikipedia (as on today, September 4th, 2009), Farhan is going to sing the song Bhoola Tujhe along with Rashid Ali. But then, the official site of A R Rahman says something else. The site doesn't mention Farhan's name in singers and says that the song will be sung by Rashid Ali alone.

So most probably Farhan Akhtar is not singing for A R Rahman and we'll have to miss the opportunity to listen to the Farhan Akhtar's voice once again, that too in an A R Rahman composition.

The soundtrack of Blue will have seven tracks for which Rahman has roped in Shreya Ghoshal, Sonu Nigam, Sukhwinder Singh, Rashid Ali, Neeraj Shridhar, Vijay Prakash, Udit Narayan, Madhushree and Suzanne D'Mello. Besides, Rahman's blue theme reportedly has six more singers including Blaaze.

Apparently, the song that Farhan Akhtar has missed is going to be a good number as the song not only has Rashid Ali singing but also has backing vocals from singers as good as Benny Dayal. The opening song of the album, Aaj Dil has Sukhwinder Singh and Shreya Ghoshal and should be worth listening. Chiggy Wiggy by Kylie Minogue and Sonu Nigam is already out. The song has a 'masti' feeling to it and the video makes it all the more clear.

While with Sonu Nigam and Shreya Ghoshal, rehnuma can be a beautiful love song, Vijay Prakash and Shreya's Fiqrana must be a good song as Vijay Prakash has been getting good songs for quite some time and his last with Rahman in Yuvvraaj was especially good.

With Udit Narayan and Madhushree, the last song of the album, Yaar Mila Tha is going to be a typical romantic song. In fact nowadays Udit Narayan and Madhushree is becoming a new pair of singers as even Sohail Sen has used them both together in What's your raashee.

For now all we can do is guess. So let's wait and watch when the music of Blue comes.

Hope.