Hail Anurag Kashyap.
Ranaji mhare gusse mein aaye
aiso bal khaye
agiya barsaye
ghabraye mharo chain
Jaise door des ke taawar mein ghus Jaaye re aeroplane
If Dev D had the emosanal attyachar, Ranaji is doubtlessly the internasnal attyachar. Love it or hate it, you can't ignore it.
Ranaji, probably the next big thing, is a song in complete folk style, that too in the voice of Rekha Bharadwaj. But the (international) lyrics of the song bear references to 9/11, Iraq invasion, and Afghanistan attacks.
The USP of the song is not it's lyrics alone, but also the way those lyrics have been sung. Rekha has been indubitably wonderful. And so has been Piyush Mishra, as the composer, and as the lyricist.
While the international references attract attention, larger than life (read 'village life in Rajasthan') picturization of subtle differences between town and country lives is simply superb and is probably the best part of the song.
See an example.
Sajni ko dear bole,
Tharre ko beer bole,
Maange hai English boli,
Maange hai English choli,
Maange hai English Jaipur English Bikaner,
Jaise Bisleri ki botal pee ke ban gaye Englishman.
(Actually Inglis and Inglisman rather than English)
The song goes on in the same way, or even better when Rekha discreetly tells about Ranaji bringing home another girl.
Ranaji mhari sautan ko ghar le aaye
Pooche to bole friend hamari hai haaye
Interestingly, Piyush Mishra looks more from the advertising world than Prasoon Joshi as he puts in 'Thanda maane Coca Cola' and 'Ye dil maange more', without being partial to any side, of course. ;)
Overall, the song is an extreme thing, and you'd probably give it either one star or five. For me, it's Five.
Sunday, March 1, 2009
International Attyachar: Ranaji (Gulaal)
Labels:
Anurag Kashyap,
Piyush Mishra,
Rekha Bharadwaj
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